Film yang di angkat dari kisah jang ja yeon

She also wanted to try a more challenging role, as this is the first time she played an antagonist. Han Hyo-joo accepted the role of So-yul because Love, Lies is female-dominated, unlike most recent successful Korean films. The three lead actors had previously worked together on the 2015 film The Beauty Inside. Son Seong-chan as Japanese army generalДЇilming began on Jand finished on October 17.

Fueled by jealousy, So-yul attempts to regain what she believes her friend stole from her, destroying the lives of those around her, and ultimately, herself. After spending much time together for the production of Yeon-heeвЂ™s album Yoon woo fell in love with Yeon Hee. Yeon-hee takes his advice, and So-yul feels betrayed. Yoon-woo writes the song for Yeon-hee, and encourages her to leave the gwonbeon so he can help her become a pop singer, because pop songs speak more to the common people instead of just the upper class. However, things begins to fall apart when he hears Yeon-hee sing and becomes mesmerized by her voice. Yoon-woo asks So-yul to sing a song he is writing to encourage the Korean people suffering under Imperial Japanese rule. One day in 1943, So-yul meets the top pop songwriter, Kim Yoon-woo, and the two fall in love. So-yul's natural talent and beauty make her the center of attention, and she receives invitations from important people, including the Japanese chief of police.

They both enjoy the popular songs of the day, but promise each other to keep their dignity as the only gisaeng who sing jeongga. The young girls become best friends, and are two of the best students in the school. Seo Yeon-hee arrives at the school after she is sold by her father, who cannot take care of her. Jung is the daughter of a famous gisaeng, who is also the institution's headmistress. In Imperial Japanese-occupied Korea, Jung So-yul is a gisaeng-in-training at one of the last remaining gwonbeon, learning to sing jeongga, the classical songs of Korea's upper class. Critics particularly praised the film for its meticulous reconstruction of 1940s Seoul, with period-correct sets, props, costumes and music.

Film yang di angkat dari kisah jang ja yeon